Grace Nicol
 
 
P1011729.JPG
 
 
The way that Grace chooses to work with materiality in relation to the body reminds us of the happenings of early feminist approaches to performance art. But somehow it also dives into the current complex debates on the labour of the performer as well as the stretching of duration as a frame
— Kayte Coe and Frank Bock
 
 

LATEST NEWS

48960102_1457320141069804_7479449958437879808_n.jpg

See I Only Laugh to Keep from Weeping at The Place, London on Sat 26th Jan

 
1517242507504-HG002952-R1-15-16.jpeg

Press and Writing